Summer 2016 Exhibitions
May 20 to August 28, 2016
Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator
This group exhibition of masterworks in fiber art was organized by Fresno Art Museum Executive Director and Chief Curator, Michele Ellis Pracy. Her intention is to reveal the creative versatility that fiber as a medium affords contemporary visual artists.
The twelve participating living artists were selected because they experiment, innovate, and push traditional fiber techniques to new limits. Seventeen of the artworks chosen by Ellis Pracy are oversized, commanding the vast wall spaces of the Fig Garden and Duncan Galleries. These she juxtaposes with six miniature embroideries by one artist, presented on their own narrow wall.
Curated to express bold new directions in fiber art, the techniques on view include varieties of tapestry, embroidery, weaving, crochet, quilting, and appliqué. Materials include wool, silk, paper, and cotton; artistic styles are represented with abstraction, realism, portraiture, pictorial, figurative, and fantasy.
The selected artists are primarily California-based; there are seven women and five men; all are established in the visual art world with gallery and museum exhibitions to their credit. Ellis Pracy has invited artists from the San Francisco Bay Area, Ventura County, Los Angeles, and the East Coast to participate.
The exhibiting artists are: Robin Clark, Lia Cook, Patti Handley, Michelle Kingdom, John Nava, Ramekon O’Arwisters, Leslie Rinchen-Wongmo, Michael Rohde, Audrey Sanders, Jeff Sanders, Joan Schulze, and Martha Smith.
Sponsors: Anne and Donald Franson, Sloan & David Johnson, Kanwar Mahal, M.D., Nancy & John Mengshol, Jeffery Smith
Read the May 15, 2016 Fresno Bee article about this exhibition by clicking here.
Images: Michelle Kingdom, Some Imagined Future, 2016, embroidery, loaned by the artist; John Nava, R.E., 2005, 83" x 78", electronic jacquard, cottonwood viscose, loaned by the Museum of Ventura County
May 20 to August 28, 2016
Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator and Kristina Hornback, FAM Curator
Los Angeles art patron, collector, and arts advocate, Joan Agajanian Quinn, has been depicted in portraiture for over five decades by world-renowned artists at the forefront of their era, medium, and impact upon the contemporary art scene.
The exhibition RENDERING HOMAGE: Portraits of a Patron is a selection of artworks depicting her visage, created for her by artists she has championed over time. Approximately 50 two and three-dimensional pieces from Quinn’s collection of over 300 portraits tell the story of her passion for cutting edge American artists through their portrayals of her as their valkyrie.
Bay Area painter Mel Ramos describes Joan as “a living work of art.” This exhibition serves to herald her in this light, in addition to revealing her treasured artist friendships and her instinctual certainty of their relevance to 20th and 21st century contemporary art history. This is an exhibition paying homage to an art patron, sincerely appreciated.
The exhibited portraits are realized in all mediums, spanning four decades of Quinn’s relationships with artists she has believed in and supported. The exhibition includes works by Peter Alexander, Charles Arnoldi, Jean-Michel Basquiat, Laddie John Dill, Claire Falkenstein, Sophia Gasparian, Frank Gehry, Robert Graham, David Hockney, George Hurrell, E.F. Kitchen, Marie Lalanne, Robert Mapplethorpe, Ed Moses, Mel Ramos, Zandra Rhodes, Ed Ruscha, Alexis Smith, and Beatrice Wood, among others.
Nationally and internationally known artists portray their patron as a powerful art-world personage: an advocate who is true to herself, the artists, and the art she loves.
Sponsors: Gary Agajanian, Larry Balakian, Jane M. Cleave, W. Laird & Julia Durley, Larry Gagosian, in Honor of Ann Gagosian, Donald & Joan Gray, W. Edward Hanks, Robert & Joyce Kierejczyk, Sue McCline, Roxie Moradian, Lynda & Stewart Resnick, Rob Saroyan, Anita M. Shanahan, Arminee Shishmanian, Chris Snyder & Marc Seltzer, Kenneth L. Wyse
Images: Rupert Smith, reproduced and painted Polaroid by Andy Warhol, 1988; Robert Mapplethorpe, Untitled, 1986, silver gelatin print, loaned by Joan & Jack Quinn, Beverly Hills, CA
Joan Quinn’s glamorous life in photos
By Donald Munro - The Fresno Bee (7/14/16)
One woman, 50 different views: riveting show at Fresno Art Museum
By Donald Munro - The Fresno Bee (7/10/16)
Fresno Art Museum portrait show salutes a patron, has top names
By Donald Munro - The Fresno Bee (5/19/16)
Click here for more information on the exhibition and Mrs. Quinn.
May 20 to August 28, 2016
Curator: Michele Ellis Pracy, FAM Executive Director & Chief Curator
The Moradian Gallery presents a two-person exhibition of wood turned and fiber objects by Bob Stocksdale and Kay Sekimachi during the 2016 Summer Season. Borrowing from the heralded private holdings of Berkeley-based collector, Forrest L. Merrill, the FAM curators have selected inspired examples of each artist’s work.
The artists are each renowned in their respective mediums and are considered two of America’s foremost pioneers in contemporary craft. Pairing their work for exhibition goes beyond a curatorial choice, because they also married each other in 1972. Both Bob Stocksdale (1913 – 2003) and Kay Sekimachi (b. 1926) have careers spanning 50 years.
Bob Stocksdale is heralded as the father of American woodworking, creating lathe-turned bowls beginning in the 1950’s. Sekimachi is a master of complex weavings both on-loom and hand-constructed. The visual combination of imaginative fiber vessels with compelling grained wooden bowls is an exhibition instilling wonder and appreciation for what is truly beautiful.
Images: Bob Stocksdale, Bowl, 1983, Texas mesquite wood and Kay Sekimachi, Leaf Bowl, 2014, leaf skeletons froman unknown tree, Kozo paper, loaned by Forrest L. Merrill
January 23 to August 28, 2016
Curator: FAM Curatorial Staff
An exhibition of selected folk art pieces from the Permanent Collection, curated by Kristina Hornback, Curator, Fresno Art Museum.
Images: Unknown artist, Lacquer work gourd, c.1960; works by Theodora Blanco, c.1950s, clay